Different centuries, two hours apart by road.
Mediterranean coast, fjords, the Alps, Andalusian desert and walled cities on the Adriatic. Medieval, imperial and Soviet-era architecture, sometimes in the same shooting week. Europe's advantage is compression: two hours of driving changes the century, and a short schedule delivers what would take three trips on any other continent.

Alpine scale and imperial Vienna, both within easy reach of each other.
Walled coastal cities and a clear Adriatic, heavily used for period and fantasy since Dubrovnik became a fixture on screen.
Mediterranean light almost year-round and a compact base that suits shorter commercial schedules.
Prague plus large stage space has made this a long-standing base for period and effects-heavy work.
Paris, the Alps and the Riviera, plus one of the strongest technical crew bases in Europe.
Caucasus mountains, Soviet-era modernism and old Tbilisi, at costs well below Western Europe.
Berlin's mix of eras in one city, strong studio infrastructure and precise, schedule-driven crews.
Island geometry, whitewash and antiquity, with a long shooting season.
Budapest doubles for much of Europe, and the country has one of the most used incentive structures on the continent.
Green coastline and cliffs that read as ancient, with an experienced English-speaking crew base.
Rome, the Dolomites and the coast, with heritage-site permitting that rewards knowing who to ask.
Canals, flat horizon and a design-forward built environment, with excellent English across the whole crew.
Fjords, midnight sun and winter darkness — the schedule has to be built around the light, and we build it.
Broad architectural range from medieval to Soviet-era, with competitive crew rates and growing studio capacity.
Lisbon light, Atlantic cliffs and Madeira, with the shared language making Brazilian and Portuguese teams interchangeable on the floor.
Vast scale and distinctive architecture. Access and compliance are the whole job here, and are assessed case by case.
Alpine lakes and forest inside a country small enough to cross in half a day.
The busiest service market in Europe: desert, Mediterranean, Atlantic and every period of architecture, with crews used to large international productions.
Forest, archipelago and a clean contemporary look that suits product and automotive work.
Istanbul straddles two continents in one frame, and Cappadocia offers terrain with no European equivalent.
London for crew, studios and post; the rest of the country for moorland, coast and period estates.
Tell us where and when you need to shoot, and we will put together a budget and a plan.